Originally trained in text-based theatre at RADA and King’s College London (supported by a British Academy scholarship), Alister was co-Artistic Director of Workhorse Productions, a London-based small-scale theatre company. He produced and directed work ranging from new writing (“Find of the Fringe” – Charles Spencer, Telegraph) to devised collaborations with Portuguese and Greek artists, supported by the Calouste Gulbenkian Foundation and Visiting Arts. With interests moving away from drama, Alister established {digame} to draw experimentally on a wider range of performance genres, allowing subjects to determine the form and content of each piece as it develops into a stimulating audience experience; this practice was foundational in forming collaborative practice with Katherina in 2012.
As well as running workshops for fellow professionals, from 2008-2015 Alister was a visiting lecturer on contemporary performance, devising and performance theory for a variety of programmes at the University of Winchester, where he was a member of the Research Centre for Arts and Wellbeing. He was a trustee of Creative Ecology Wiltshire, and a founding member of IETM's Inclusion, Diversity, Equality and Access Working Group.
alister@twodestinationlanguage.com | +44/0 7786 911954
Katherina Radeva was born in the Thracian Valley, Bulgaria. Kat is an award winning set and costume designer, theatre maker and visual artist. Her work is made in relation to politics, space, ecology, and those before her, next to her, after her. She has been making performance since 2004. She is co-artistic director of Two Destination Language, an award winning theatre company making bold, politically unafraid work for stages and with communities around the UK and internationally. She fosters dogs and makes cracking rhubarb and ginger jam.
Formally trained in Fine Art in her native Bulgaria, followed by a Foundation Course in Art and Design from the City of Bath College – a full scolarship funded by the British Council – Katherina later completed a First Class Honors Degree in Set and Costume Design from Wimbledon School of Art, London. Her own website shows the full range of her work.
Kat was recently a member of Artist Advisory Group at Dance Base Scotland and Federation of Scottish Theatre's Strategy Environment advisory group. She is a former board member of Activate Dorset England.
Recent design collaborations include: Jo Bannon, Action Hero, Scottee, Selina Thompson, In Bed With My Brother, Matty May, Rachel Mars, Redbridge Arts, Catherine Wheels, Dirliebane, Perth Theatre amongst many others.
kat@twodestinationlanguage.com | +44/0 7790 402521 | @katherinaradeva
Each project brings together collaborators whose experience and skills support the work. Frequent contributors include audiences and marketing consultant Wendy Niblock, press and publicity specialists Storytelling PR, digital maestro Tim Blazdell, production manager Helen Mugridge and lighting designer Martin Langthorne.
We also work with a portfolio of producers across our practice, currently including:
Strategic Producer Matt Fenton, focused on our activities outside the UK
Development Producer Jess Boyes, focused on our UK-based work
As a charity, Two Destination Language has a board of trustees who oversee all the organisation's activity.
The current trustees are:
A freelance museums consultant, Lizzy specialises in international exhibition projects and cultural knowledge exchange. She previously worked in this area with the British Museum and Natural History Museum in London. With recent projects taking her to China, South Africa, the Middle East and the USA, Lizzy is constantly discovering new cultures.
Callum is a Creative Producer and Access Consultant currently employed as Access Manager for Edinburgh International Festival. He has previously held roles with Birds of Paradise Theatre Company and Lung Ha Theatre Company. He has also worked in a freelance capacity as Producer for Bijli, Newroom Theatre and foley artist Heather Andrews, and Project Manager on projects for National Theatre of Scotland, Royal Conservatoire of Scotland, Lyceum Theatre and Traverse Theatre.
Associate Professor of Performance Studies in the School of Arts and Creative Industries at LBSU, and the School’s Director of Postgraduate Research, Elena works on performance and migration, predominantly interested in the relationship between performance, politics of migration and environmental cultural studies. Published widely on the issues of belonging, the female body, the border and intergenerational trauma, Elena's practice as research focuses on the maternal in performance, co-creation, mirgrancy and creatively nurturing the 'borderless'. She has also worked with Lambeth Council to evaluate initiatives aimed at strengthening inclusion in creative industries.
Originally from Australia, Eleanor (she/her) has lived in Edinburgh since 2018. She is the Marketing Manager at Dance Base, and has worked in arts marketing and publicity across a wide range of theatre, community arts, heritage and visual arts organisations including Collective, Storytelling PR, the National Galleries of Scotland and the Edinburgh International Festival. Outside of work, Eleanor plays five-a-side football, reviews books for The Skinny and is learning French at the French Institute – mais très lentement!
Tina is an experienced finance lawyer qualified to practise English, New York and Philippine law. She began her legal career in Manila before moving to the UK to join a major law firm in London. She has since been working in-house with various financial institutions in London. In her spare time she likes to climb Munros, mountain bike and of course go to the theatre!